MATRIX OF POWER POLITICS IN NOVELS OF ARAVIND ADIGA

Salman Khan Khan, Pragayan Paramita Pattnaik
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Abstract

Aravind Adiga, a Man Booker Prize winner, aims at depicting a realistic picture of Indian society along with its root cause of evil. He attempts to bring the dark side of India over the ‘shining India’. He criticised the moral decadence and lack of basic principles among Indians. In The White Tiger and Last Man in Tower he portrays the power game in metropolis like; Delhi and Mumbai. This paper studies the socio-political realities of Indian society through the lens of power politics. Adiga makes an effort to showcase the experiences which underprivileged Indian people go through their entire lives. This paper also describes how Adiga depicts socio-cultural encounters in India; especially in power-politics, the Caste system, and master-servant society. It demonstrates the colossal fight between the common man and the dominating political issues such as the caste system, democracy and justice. The research depicts the miscarriage of justice, corruption and other alarming issues of contemporary Indian society. Adiga spotlights modern India by comparing India of darkness and India of light. Adiga’s work of fiction unveils the dark web of politics behind the frame of globalisation and development.
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亚拉维加小说中的权力政治矩阵
布克奖得主Aravind Adiga的作品旨在描绘印度社会的现实图景,以及其邪恶的根源。他试图把印度的阴暗面置于“光辉的印度”之上。他批评印度人的道德堕落和缺乏基本原则。在《白虎》和《塔中最后一个人》中,他描绘了大都市的权力游戏。德里和孟买。本文通过权力政治的视角来研究印度社会的社会政治现实。阿迪加努力展示贫困的印度人一生的经历。本文还描述了Adiga如何描绘印度的社会文化遭遇;尤其是在权力政治、种姓制度和主仆社会中。它展示了普通人与种姓制度、民主和正义等主要政治问题之间的巨大斗争。该研究描述了当代印度社会的司法不公、腐败和其他令人担忧的问题。阿迪加通过比较黑暗的印度和光明的印度来关注现代印度。阿迪加的小说作品揭示了全球化和发展框架背后的政治黑暗网络。
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