Tens across the Board

Karen Jaime
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Abstract

This chapter examines the significance of the verbal and oral articulations of the participants in the Glam Slam, an event held at the Nuyorican Poets Cafe from 1998 to 2008. The Glam Slam brought together the competitive spoken word/slam poetry and Harlem drag ball communities. Similar to the competitive drag balls of New York’s Black and caribeño queer and trans communities, poets walked the runway and, instead of voguing against one another, performed poetry, resulting in a new framework for the proclamation of queer poetics at the Cafe. These poetic and corporeal expressions during the Glam Slam made visible the socially, politically, and economically marginalized communities of color in New York City that have always been at the forefront of the Nuyorican Poets Cafe’s aesthetic.
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本章考察了1998年至2008年在Nuyorican Poets Cafe举办的Glam Slam活动中参与者的口头表达和口头表达的重要性。魅力大满贯汇集了竞争激烈的口语/大满贯诗歌和哈莱姆变装球社区。类似于纽约黑人和caribeño酷儿和跨性别社区竞争激烈的变装舞会,诗人们走上t台,而不是相互竞争,而是表演诗歌,从而为咖啡馆的酷儿诗学宣言提供了一个新的框架。在魅力大满贯期间,这些诗意和身体的表达让人们看到了纽约市在社会、政治和经济上被边缘化的有色人种社区,这些社区一直处于Nuyorican Poets Cafe美学的最前沿。
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