The Passion of Duke Valentino

Abstract

This chapter demonstrates how Machiavelli's narrative of Cesare Borgia's career—to which he devotes more space than any other in The Prince—is presented as a story in which a holy father sends his son to redeem, and to bring peace to, his people. All of a sudden, religious tropes or images jump out and impose themselves on the reader in potentially subversive ways: one begins to discern the presence of the crucifixion, the transfiguration, a circumcision, a bloody sacrifice that atones for political sins, an empty tomb, even St. Paul—all of which signify Machiavelli's beliefs concerning the appropriate covenants that should characterize prince-people relationships.