RECONCEPTUALIZING FILM POLICY AND ITS MODEL IN THE BALTIC FILM INDUSTRIES: FROM POLITICAL ECONOMY TOWARDS MISSION ECONOMY

Audrius Dabrovolskas
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Abstract

In the recent years financial support for national film production in Lithuania, Latvia and Estonia has risen up to a level that was not possible when the film policy was still in the development stage. Consequently, the stability of financial support growth for national film production allows to question the current film policy model in the Baltic film industries in regard to mission economy approach where goal orientation, market shaping and co-creating, finance and long-term orientation towards dynamic institutions, sustainability, value and the collective process involving business, government and public participation. The development of film policy model is also related with film distribution and exhibition processes since only when the Baltic States were celebrating their 100-year anniversary in 2018, first steps that were related with mission-oriented goals and policies were taken. Methodology is based on critical analysis of statistical data (quantitative descriptive statistics) and film policy and its regulation documents (qualitative content analysis). Accordingly, evaluation of analysis results and recommendations for improving film policy model is formulated.
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波罗的海电影产业中电影政策及其模式的重新定义:从政治经济走向使命经济
近年来,立陶宛、拉脱维亚和爱沙尼亚对国家电影制作的财政支持已经上升到电影政策尚处于发展阶段时不可能达到的水平。因此,对国家电影制作的财政支持增长的稳定性使人们对波罗的海电影工业当前的电影政策模式提出质疑,这些模式涉及使命经济方法,即目标导向、市场塑造和共同创造、金融和长期导向、动态机构、可持续性、价值以及涉及企业、政府和公众参与的集体过程。电影政策模式的发展也与电影发行和放映过程有关,因为只有在2018年波罗的海国家庆祝其成立100周年时,才采取了与使命导向的目标和政策相关的第一步。方法基于对统计数据(定量描述性统计)和电影政策及其监管文件(定性内容分析)的批判性分析。在此基础上,对分析结果进行了评价,并提出了完善电影政策模型的建议。
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