Processos de criação em dublagem

Robson Kumode Wodevotzky, Norval Baitello
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Abstract

Dubbing is the replacement of dialogues in an audiovisual original soundtrack by the voice of actors (dubbers) in another language, who wants to synchronize the new sound in the pre-existing image without changing the meaning construction of the original product. This article seeks to map the constituent elements of the voice actor's processes of creation and to introduce a reflection on the performance's repetition, in its formal and imaginative aspects, in the light of Constantin Stanislavski's actor preparation processes, Norval Baitello Jr.'s theory of image, and the concept of repetition worked by Soren Kierkegaard.
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配音中的创作过程
配音是用另一种语言的演员(配音者)的声音代替视听原声中的对话,他们希望在不改变原产品的意义结构的情况下,在已有的图像中同步新的声音。本文试图从斯坦尼斯拉夫斯基的演员准备过程、小诺瓦尔·拜特洛的形象理论和索伦·克尔凯郭尔的重复概念出发,描绘配音演员创作过程的构成要素,并从形式和想象两个方面对表演的重复进行反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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