In her own voice: Reflections on the Irish film industry and beyond

Susan Liddy
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引用次数: 4

Abstract

International research highlights a paucity of female screenwriters and directors in contemporary cinema. The consequences, in terms of employment equality and on-screen representations, have been well documented. However, few studies interrogate the film industry from the point-of-view of the female practitioners themselves.  Certainly, these issues have not been comprehensively explored in an Irish context; something which this paper, as part of a wider study on Irish women screenwriters and writer/directors, sets out to address.  An analysis of three in-depth, exploratory interviews with produced female writers of film and television is presented here. The purpose of the interviews is to tease out the experiences, work practices, perceived barriers and narrative preoccupations of this underrepresented group. Although generalizations cannot be made on the basis of three interviews, many of the views expressed by these practitioners correspond to theoretical and empirical work emerging in the field.  Other insights shed new light on aspects of women’s creative labour in the Irish film industry.
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用她自己的声音:对爱尔兰电影业及其他行业的反思
国际研究表明,当代电影界缺乏女性编剧和导演。就就业平等和屏幕表现而言,其后果已得到充分证明。然而,很少有研究从女性从业者自身的角度来审视电影行业。当然,这些问题还没有在爱尔兰的背景下得到全面的探讨;作为对爱尔兰女性编剧和编剧/导演的更广泛研究的一部分,本文将着手解决这一问题。本文分析了对影视女作家的三次深度、探索性访谈。访谈的目的是梳理出这个未被充分代表的群体的经历、工作实践、感知障碍和叙述重点。虽然不能在三次访谈的基础上做出概括,但这些从业者表达的许多观点与该领域出现的理论和实证工作相对应。其他见解为爱尔兰电影业中女性创造性劳动的各个方面提供了新的视角。
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