Desire, Frustration, and Resolution in the Ending(s) of Troilus and Criseyde

Kevin W. Martin
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Abstract

This essay analyzes the final stanzas of Chaucer’s Troilus and Criseyde in order to challenge the critical commonplace that the poem’s ending is fraught, fragmented, unsatisfactory, or ultimately inconclusive. It questions the traditional view that the ending is a conspicuous departure from the poetic mode of the earlier poem, as well as the view that the final stanzas are dominated by an ideological struggle between earthly and divine love. Through a close reading of the final five stanzas of the poem—and with particular attention to their echoes throughout the larger work— the essay seeks to elucidate how Chaucer’s poetics of desire continue to resonate throughout the poem’s close. The result, the essay contends, is an ending of celebration, circumspection, and profound imagination that strives for love both earthly and divine.
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《特洛伊罗斯与克里塞德》结局中的欲望、挫折与决心
本文分析了乔叟的《特洛伊罗斯和克里塞德》的最后几节,以挑战那些批评的陈词滥调,即这首诗的结尾令人担忧、支离破碎、令人不满意或最终没有定论。它质疑了传统观点,即结局明显偏离了早期诗歌的诗歌模式,以及最后一节被世俗之爱和神圣之爱之间的意识形态斗争所主导的观点。通过仔细阅读这首诗的最后五节,并特别注意它们在整个更大的作品中的回响,本文试图阐明乔叟的欲望诗学如何在这首诗的结尾继续产生共鸣。结果,文章认为,是一个庆祝,谨慎和深刻的想象力的结局,为世俗和神圣的爱而奋斗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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