Problems in Sculpture

College Art Journal Pub Date : 1959-09-01 DOI:10.2307/774084
Howard J. Whitlatch
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Abstract

As a vital expressive force in contemporary culture, sculpture today has apparently fallen short of its promise. The intimation of its revival as a major art early in the nineteen hundreds, after centuries of decorative virtuosity, seems to have aroused a premature hope.The lead was provided by such men as Lipchitz, Zadkine, Lachaise, Zorach, Archipenko, Brancusi, to mention just a few. These are the men whose search and rediscovery of the power and strength of unencumbered sculptural form changed the whole direction of sculptural ideas in the present century. It seems a pity that they spoke only to fellow artists, while leaving the public and its leaders unimpressed. And today, viewing the sculpture seen in exhibitions, I have some doubt in my mind as to how well the younger sculptors have grasped the message of these pioneers in the early 20th century. Nevertheless, sculpture has made very little impact on the public mind.
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雕塑中的问题
作为当代文化中重要的表达力量,今天的雕塑显然没有达到它的承诺。在经过几个世纪的装饰技艺之后,它在20世纪初作为一种主要艺术复兴的暗示,似乎唤起了一种过早的希望。领头的是李普奇茨、扎德金、拉沙伊兹、佐拉赫、阿基本科、布朗库西等人,这里仅举几个例子。这些人对不受阻碍的雕塑形式的力量和力量的探索和重新发现,改变了本世纪雕塑思想的整个方向。遗憾的是,他们只与艺术家同行交谈,而公众及其领导人却无动于衷。今天,当我在展览中看到这些雕塑时,我心中有些怀疑,年轻的雕塑家们在多大程度上掌握了这些20世纪早期先驱们的信息。然而,雕塑对公众思想的影响很小。
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