Digitalization of traditional performance art heritage in Quảng Ninh for conservation, management, and tourism development

Dinh Luong Khac, Hung Ngo Minh, Lam Nguyen Dinh, Son Quang Van
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Abstract

The Vietnamese traditional performing arts (TPA), particularly those in Quảng Ninh province, concentrate around traditional folk music and theater and traditional dance performances. These types of arts were created, practiced, and fostered by our forefathers through thousands of years of history, which are combined with the characteristics of geographical locations and regional culture in this province. There have been domestic and international scientific research efforts on the conservation and promotion of Vietnamese TPA from various approaches, and these efforts have achieved significant results. However, Quảng Ninh’s TPA in particular needs to have an expanded interdisciplinary approach; the use of digital technology is a solution that has been successfully applied and implemented by many countries.Through a case study in Quảng Ninh, the author has found that digitals such as 3D (digitalization for traditional costume, performing places, scan the musical instruments, dance movements); 360 (digitalization for process performing of music and folk dances); Slow motion (digitalization for musical melodies, process creating the musical instruments, process teaching a folk song or playing a musical instrument and other historical materials) what play a crucial role in preserving, administering, and promoting the local TPA heritage in contemporary cultural life.
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Quảng宁宁传统行为艺术遗产之数位化保护、管理及观光发展
越南传统表演艺术(TPA),特别是Quảng宁省的传统民间音乐、戏剧和传统舞蹈表演。这些类型的艺术是我们的祖先在几千年的历史中创造、实践和培育的,并与我省的地理位置和地域文化特点相结合。国内外对越南TPA的保护与推广开展了多种途径的科学研究,并取得了显著成果。然而,Quảng Ninh的TPA特别需要有一个扩大的跨学科方法;使用数字技术是许多国家已成功应用和实施的一种解决办法。通过对Quảng宁宁的个案研究,笔者发现数字化如3D(对传统服装、表演场所、乐器、舞蹈动作进行数字化扫描);360(音乐、民间舞蹈过程表演数字化);在当代文化生活中,对当地TPA遗产的保存、管理和推广起着至关重要作用的慢动作(音乐旋律、乐器创作过程、教授民谣或演奏乐器的过程以及其他历史材料的数字化)。
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