Contributors’ Notes

Abstract

Other| March 01 2023 Contributors’ Notes Journal of Popular Music Studies (2023) 35 (1): 145–146. https://doi.org/10.1525/jpms.2023.35.1.145 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Contributors’ Notes. Journal of Popular Music Studies 1 March 2023; 35 (1): 145–146. doi: https://doi.org/10.1525/jpms.2023.35.1.145 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search Carlos Garrido Castellano is a lecturer at the Department of Spanish, Portuguese, and Latin American Studies at University College Cork, where he coordinates a BA program on Portuguese studies and the MA in Global Languages and Cultures. He is the author of Beyond Representation in Contemporary Caribbean Art (2019), Art Activism for an Anticolonial Future (2021) and Literary Fictions of the Contemporary Art System (2022). He has recently edited two special issues on anticolonial and decolonial aesthetics (one in Third Text in 2020 and another in Interventions Journal in 2022) as well as a volume on contemporary museums and coloniality in the Iberian context (2022). Sarah Dougher is a writer, educator, and musician from Portland, Oregon. Her current work as a professor at Portland State focuses on strengthening the pathways for high school seniors into higher education, especially immigrant, first-generation and other historically excluded students.... You do not currently have access to this content.