Georgii Vladimirovich Kunitsyn, Daria Konstantinovna Polivanova, Konstantin Mikhailovich Polivanov
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引用次数: 0
Abstract
The article offers an interpretation of the fi rst six poems from the cycle Neskuchny Sad (The Neskuchny Garden) — the second part of B. L. Pasternak’s fourth poetry collection Themes and Variations (Temy i Variatsii) as the first and introductory microcycle of this part. The analysis of the semantics and imagery of each poem reveals the connection between the universal biblical prototype and the theme of the birth of art, the central one for the entire poetry collection.
本文对帕斯捷尔纳克第四部诗集《主题与变奏曲》(Temy i Variatsii)的第二部分《涅斯库奇尼花园》(The Neskuchny Garden)中的前六首诗进行了解读，作为这一部分的第一个微循环和导论。对每首诗的语义和意象的分析揭示了普遍的圣经原型与艺术诞生主题之间的联系，这是整个诗集的中心主题。
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