Hafidzatu Taslima Alifia, Yostiani Noor Asmi Harini
{"title":"Representasi konflik dalam Film Mencuri Raden Saleh","authors":"Hafidzatu Taslima Alifia, Yostiani Noor Asmi Harini","doi":"10.23960/aksara/v24i2.pp669-680","DOIUrl":null,"url":null,"abstract":"This research aims to explain how the characters in the movie Mencuri Raden Saleh by Angga Dwimas Sasongko experience social events and conflicts. Ralf Dahrendorf's conflict theory can be used to identify social conflicts. The data used is taken from movie footage that illustrates social conflict. The research method used is a descriptive qualitative method. In addition, researchers used the listening method in collecting data. This research results in that all conflicts in the movie are caused by the injustice of the ruling party as the holder of power from the ruling party. Conflicts occur between Piko and her friends with the police, Fela with the car driver, friendship, Piko's father with Permadi, Piko with her father, and Sarah with Permadi's men. All of these conflicts originate from the former President, Permadi. The implication of this research is that what Piko did is the same as what some people experienced during the New Order era. To obey the will of the Supreme Father, he will do anything, including committing crimes. If we dare to refuse, don't expect our safety and that of our families to be protected. After conducting this research, there are limitations in using Ralf Dahrendorf's conflict theory, namely not maximizing or exploring the theory. Suggestions for future research are to try to use other theories to be more varied. Keywords: film, conflict, painting, representation","PeriodicalId":34523,"journal":{"name":"Aksara","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aksara","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23960/aksara/v24i2.pp669-680","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This research aims to explain how the characters in the movie Mencuri Raden Saleh by Angga Dwimas Sasongko experience social events and conflicts. Ralf Dahrendorf's conflict theory can be used to identify social conflicts. The data used is taken from movie footage that illustrates social conflict. The research method used is a descriptive qualitative method. In addition, researchers used the listening method in collecting data. This research results in that all conflicts in the movie are caused by the injustice of the ruling party as the holder of power from the ruling party. Conflicts occur between Piko and her friends with the police, Fela with the car driver, friendship, Piko's father with Permadi, Piko with her father, and Sarah with Permadi's men. All of these conflicts originate from the former President, Permadi. The implication of this research is that what Piko did is the same as what some people experienced during the New Order era. To obey the will of the Supreme Father, he will do anything, including committing crimes. If we dare to refuse, don't expect our safety and that of our families to be protected. After conducting this research, there are limitations in using Ralf Dahrendorf's conflict theory, namely not maximizing or exploring the theory. Suggestions for future research are to try to use other theories to be more varied. Keywords: film, conflict, painting, representation
本研究旨在解释Angga Dwimas Sasongko的电影《menuri Raden Saleh》中的人物是如何经历社会事件和冲突的。达伦多夫的冲突理论可以用来识别社会冲突。所使用的数据取自反映社会冲突的电影片段。使用的研究方法是描述性定性方法。此外,研究人员在收集数据时使用了倾听法。通过研究发现,电影中的所有冲突都是由于执政党作为执政党的权力持有者的不公正造成的。冲突发生在Piko和她的朋友与警察之间,Fela与汽车司机之间,友谊,Piko的父亲与Permadi之间,Piko与她的父亲之间,以及Sarah与Permadi的手下之间。所有这些冲突都源于前总统Permadi。这项研究的含义是,Piko所做的与一些人在新秩序时代所经历的相同。为了遵从天父的旨意,他会做任何事,包括犯罪。如果我们胆敢拒绝,就别指望我们和家人的安全会得到保护。通过本研究发现,对达伦多夫冲突理论的运用存在一定的局限性,即没有对达伦多夫冲突理论进行最大化的挖掘。对未来研究的建议是尝试使用其他更多样化的理论。关键词:电影,冲突,绘画,再现