Beauvoir or Butler? Comparing ‘Becoming a Woman’ with ‘Performing Gender’ Through the Life Course

Susan Pickard
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Abstract

Abstract Judith Butler claims to have based her theory of gender performance on Simone de Beauvoir’s path-breaking idea that one is not born, but rather becomes, a woman. However, Butler’s interpretation of Beauvoir’s work departs considerably from Beauvoir’s own expressed view which is that women are shaped by an interplay of femininity (construed by cultural and structural norms) and sexed bodies and that the concept of woman is a mutable one that can accommodate increasing degrees of freedom. In this paper I explore Beauvoir’s theories further, showing how they depart from Butler’s interpretations of them and in the process exploring the contribution that Beauvoir and Butler respectively make towards understanding ongoing gender inequality. Finally, I compare and contrast the role of temporality and the life course in ‘becoming a woman’ and in performing gender respectively, focusing on the figure of the post-menopausal woman in particular.
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波伏娃还是巴特勒?人生历程中“成为女人”与“表演性别”的比较
朱迪思·巴特勒声称,她的性别表现理论是基于西蒙娜·德·波伏娃的开创性观点,即一个人不是生来就是女人,而是成为女人。然而,巴特勒对波伏娃作品的解释与波伏娃自己表达的观点大相径庭,波伏娃的观点是,女性是由女性气质(由文化和结构规范解释)和性别化的身体相互作用形成的,女性的概念是可变的,可以适应越来越多的自由。在本文中,我进一步探讨了波伏娃的理论,展示了它们如何偏离巴特勒对它们的解释,并在探索波伏娃和巴特勒分别对理解持续的性别不平等做出的贡献的过程中。最后,我分别比较和对比了时间性和生命历程在“成为女人”和表现性别中的作用,特别关注绝经后妇女的形象。
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