Vulnerable Landscapes

IF 0.3 0 LITERARY THEORY & CRITICISM Samuel Beckett Today/Aujourd''hui Pub Date : 2023-10-19 DOI:10.1163/18757405-03502009
Michał Kisiel
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引用次数: 0

Abstract

Abstract This article focuses on Samuel Beckett’s selected short prose works “The Lost Ones” and “Ping,” which both present ruinous landscapes that have witnessed an unspeakable catastrophe. Both texts attempt to reflect such deterioration in the collapse of language. Following environmental criticism and new materialism, this paper analyses Beckett’s texts as potential representatives of a poetics for the Anthropocene. Such a project withdraws from evoking spectacular images of an ecocide witnessed by narrators unaffected by the deteriorating reality; instead, it grasps the necessary crisis of narration as a part of a world that is falling apart.
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脆弱的风景
本文以塞缪尔·贝克特的短篇散文选集《失散的人》和《平》为研究对象,这两部短篇散文都呈现了一场难以言喻的灾难。这两个文本都试图反映语言崩溃中的这种退化。继环境批评和新唯物主义之后,本文分析了贝克特的文本作为人类世诗学的潜在代表。这样的一个项目退出了唤起壮观的图像生态灭绝见证了叙述者不受恶化的现实;相反,它抓住了叙事作为一个正在崩溃的世界的一部分的必要危机。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
22
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Beckett’s Prose Fiction and Waiting for Godot En attendant… l’innommable Reimagining Godot The Good-for-Nothing En attendant Godot (1952) de Samuel Beckett et Gerry (2002) de Gus Van Sant au prisme de Gilles Deleuze
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