Involvement and Detachment of the Actor in the Creative Process. Stanislavsky System - Brecht System

Marius Bodochi
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Abstract

The two systems – the Stanislavsky’s and the Brecht one – have points in common, even if, at first glance, they are very different in approach. The article aims to describe the two directions regarding the practice and pedagogy of the actor's art. Elements relating to inner or outer inspiration, awareness or the distancing effect are analyzed and counterbalanced between the two systems. Likewise, the discourses that continued the two fundamental aesthetics for the 20th century stage are also presented.
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演员在创作过程中的参与和脱离。斯坦尼斯拉夫斯基体系 - 布莱希特体系
这两种体系——斯坦尼斯拉夫斯基和布莱希特的体系——有一些共同点,尽管乍一看,它们在方法上非常不同。本文旨在描述演员艺术的实践和教学两个方向。与内部或外部灵感,意识或距离效果有关的元素被分析并在两个系统之间进行平衡。同样,本文也介绍了延续20世纪两种基本美学的话语。
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