When Silence Becomes Overstretched: Exploring the Loud Silence in Women's Struggle for Liberation in Contemporary Nollywood

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2023-12-20 DOI:10.5195/cinej.2023.470
Osakpolor Emwinromwankhoe
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Abstract

Lots of debates, contestations and criticisms have continued to trail the subjugation of women in Nollywood narratives. Film scholars and critics, especially those who tow the feminist line, keep bemoaning the manner in which patriarchy and male hegemony take centre stage in many Nollywood movies to the detriment of women. Employing the mixed research methodology (qualitative content analysis and key informant interview), this study explores the loud silence in women’s struggle for liberation in contemporary Nollywood narratives. Three widely acclaimed and contemporary movies – Muna (2019), Omo Ghetto: The Saga (2020) and Fine Wine (2021) – were content analysed to foreground and highlight male chauvinism and hegemony as well as women’s struggle for their liberation. Though women’s silence in the movies is as prolonged as it is loud, the fierce fight they later put up against male oppression comes as a great solace. Therefore, it is concluded that Nollywood film-makers should continue to give preeminence to such issues in subsequent narratives.
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当沉默变得捉襟见肘:探索当代诺莱坞妇女解放斗争中的沉默之声
许多辩论、争论和批评一直围绕着诺莱坞叙事中对妇女的压制问题。电影学者和评论家,尤其是那些女权主义者,一直在抱怨父权制和男性霸权在许多诺莱坞电影中占据中心地位,从而损害了女性的利益。本研究采用混合研究方法(定性内容分析和关键信息访谈),探讨了当代诺莱坞叙事中妇女争取解放的斗争中的巨大沉默。本研究对三部广受赞誉的当代电影--《穆娜》(Muna,2019 年)、《奥莫贫民窟:传奇》(Omo Ghetto: The Saga,2020 年)和《美酒》(Fine Wine,2021 年)--进行了内容分析,以突出和强调大男子主义和霸权主义以及妇女争取解放的斗争。虽然女性在电影中的沉默是漫长而响亮的,但她们后来反抗男性压迫的激烈斗争却给了我们极大的慰藉。因此,结论是诺莱坞电影制作人应继续在后续叙事中优先考虑此类问题。
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CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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审稿时长
12 weeks
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