From a Book on Architecture to a Book of Pleasure: Caʿfer Efendi’s Risāle-i Miʿmāriyye, 1614

Gul Kale
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Abstract

In this article, I will discuss some selected sections from the Risāle to explore the ethical, social, and intellectual motivations that led a scholar, Caʿfer Efendi to write a book on architecture and the life of the chief architect Mehmed Agha. First, I will discuss the audience of the Risāle both according to its author Caʿfer, a member of the learned class, and his benefactor Mehmed Agha who supported its writing. Second, I will explore how Caʿfer tried to underline the social and ethical role of the architect and architecture in his book for his scholarly audience. Following, the article will look at the perception of architecture as a means for wisdom and knowledge, which justified its higher status within the hierarchy of sciences eventually facilitating a scholar to write a book on this specific topic. Finally, I will argue how an architectural book was not only offered as a book of pleasure for the readers, but also became a part of the Ottoman gift culture, evoking the perception of architecture as a gift to the society.
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从建筑之书到娱乐之书:Caʿfer Efendi 的《Risāle-i Miʿmāriyye》,1614 年
在本文中,我将讨论《Risāle》中的一些选段,以探讨促使学者卡费尔-埃芬迪 (Caʿfer Efendi) 撰写一本关于建筑和首席建筑师穆罕默德-阿迦 (Mehmed Agha) 生平的书的道德、社会和思想动机。首先,我将讨论《Risāle》的读者群,包括作者卡费尔--知识阶层的一员,以及支持其写作的恩人穆罕默德-阿迦。其次,我将探讨卡费尔如何在书中向他的学者读者强调建筑师和建筑的社会和伦理作用。随后,文章将探讨建筑学作为智慧和知识的一种手段的观念,这种观念证明了建筑学在科学等级中的较高地位,最终促进了一位学者撰写有关这一特定主题的书籍。最后,我将论证建筑学书籍如何不仅成为读者的愉悦之书,而且成为奥斯曼帝国礼品文化的一部分,唤起人们将建筑视为献给社会的礼物的观念。
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