Güell Pavilions of Antoni Gaudí as an example of new mythology

Carles Rius
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Abstract

The Güell Pavilions are known for being the first work that Antoni Gaudí built for the person that would become his main patron, Eusebi Güell. For years, these buildings have been considered to have some functional roles, and to contain some sporadic references to the L’Atlàntida, a poem written by Jacint Verdaguer. In this paper, however, I will argue that this work of Gaudí is more than this, since L’Atlàntida was already a good example of the idea of a new mythology, and Gaudí intertwined these literary references with “aesthetic geometry”, which had been reconstructed by the German artist Peter Lenz. I will show where and how this geometry is present in the Güell Pavilions. As a result, these buildings will reveal as an organic work, and a good example of the idea of a new mythology applied to plastic arts.
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安东尼-高迪的居尔亭是新神话的典范
居尔亭因安东尼-高迪为后来成为他主要赞助人的尤西比-居尔建造的第一件作品而闻名。多年来,这些建筑一直被认为具有一些功能性作用,并零星地引用了雅辛特-维达盖尔(Jacint Verdaguer)所写的一首诗《L'Atlàntida》。然而,在本文中,我将论证高迪的这一作品不仅如此,因为《L'Atlàntida》已经是新神话理念的一个很好的例子,高迪将这些文学引用与 "美学几何 "交织在一起,而 "美学几何 "是由德国艺术家彼得-伦茨(Peter Lenz)重新构建的。我将向大家展示这种几何图形在居尔亭中出现的位置和方式。因此,这些建筑将成为一件有机的作品,也是将新神话的理念应用于造型艺术的典范。
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Convento de Nuestra Señora del Carmen de Oviedo Fernández Lerma, Fernando. Qué es una obra de arte El hospital de Sotelo de la ciudad de Zamora y la regularización urbana de su entorno Güell Pavilions of Antoni Gaudí as an example of new mythology Bartolomé García, Fernando R. y Ortega Mentxaka, Eneko (coords.). Élites, promoción artística e imagen del poder
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