The Application and Innovation of the Stylized Performance of Traditional Chinese Theater in the Animated Film New Sanchakou

Abstract

Abstract In Chinese animated films, the stylized performance of traditional Chinese theater allows for greater expression and creativity, due to 3D digital technology and 8K display technology. This paper takes the animated film New Sanchakou (The Crossroads Inn, 1951), adapted from the traditional Duanda Wusheng (短打武生: martial arts performers equipped with short clothes and short-handle weapons) drama Sanchakou in Peking opera (Jingju) as an example, to explore the application and innovation of stylized performance. In the digital era, Chinese animated films innovate based on past achievements and utilize new technologies to both construct an aesthetic system with Chinese characteristics and to further display the unique charm of traditional Chinese aesthetic thought. By exploring new forms of animation’s performance creation, New Sanchakou meets the new challenge of Chinese animated film nationalization in the new era of China.