Cultural industry in the age of post-truth democracy

Hauke Brunkhorst
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Abstract

The truth potential of art is realized not only by great art (of educated elites) but also by the cultural industry that has become the art of the masses. Great art and cultural industry do not only contradict one another but often interpenetrate and overlap subversively. Especially in critical periods of crisis (and revolution) great art and cultural industry go together with political action. However, in more counterrevolutionary periods as nowadays post-truth democracy, Adorno's gloomiest interpretation of the cultural industry becomes topical again.
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后真相民主时代的文化产业
艺术的真理潜能不仅通过伟大的艺术(受过教育的精英)来实现,也通过成为大众艺术的文化产业来实现。伟大的艺术和文化产业不仅相互矛盾,而且经常相互渗透、颠覆性地重叠在一起。尤其是在危机(和革命)的关键时期,伟大的艺术和文化产业与政治行动相辅相成。然而,在更多的反革命时期,如如今的后真相民主时期,阿多诺对文化产业最悲观的解释又变得具有现实意义。
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