Románsky portál kostola sv. Egídia v Iliji Príspevok k interpretácii jeho ikonografického programu

ARS Pub Date : 2023-11-16 DOI:10.31577/ars-2023-0011
Adriana Reťkovská
{"title":"Románsky portál kostola sv. Egídia v Iliji Príspevok k interpretácii jeho ikonografického programu","authors":"Adriana Reťkovská","doi":"10.31577/ars-2023-0011","DOIUrl":null,"url":null,"abstract":"The Romanesque portal of the church of St. Aegidius in Ilija near Banská Štiavnica, which dates back to 1254, is a unique architectural and sculptural work, and its significance transcends the borders of medieval Hungary. Andrej Kmeť and Václav Mencl significantly deepened the knowledge about the history of the portal and its stylistic classification as well as historical research and restoration from the recent period. The portal shows common features with the so-called Norman style spreading from Western Europe to its eastern parts, which persisted until the middle of the 13th century. The architec - ture of three-recessed jambs with inserted columns with pear-shaped profiling of the corners of the recesses passing into an entire arch above the tympanum with a three-circle border is complemented by rich sculptural equipment of capitals and cornices. The asymmetry of the relief decor forms on the northern and southern parapets follows a distinctive iconographic program unique even within the European context. The capitals of the northern lintel with zoomorphic motifs of dragons united by one head, the heads of outcasts incorporated into a tangle of vegetation, represent the world of diabolical powers attacking the human soul in an attempt to seize it. In contrast, the southern jamb is decorated with a balanced composition of double-row tongue leaves and a cornice capitalising paradise in its harmonious expression. The two linings are a materialized expression of instruction serving as the Biblia pauperum, one of the most important missions of medieval art.","PeriodicalId":31329,"journal":{"name":"ARS","volume":"11 2","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31577/ars-2023-0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The Romanesque portal of the church of St. Aegidius in Ilija near Banská Štiavnica, which dates back to 1254, is a unique architectural and sculptural work, and its significance transcends the borders of medieval Hungary. Andrej Kmeť and Václav Mencl significantly deepened the knowledge about the history of the portal and its stylistic classification as well as historical research and restoration from the recent period. The portal shows common features with the so-called Norman style spreading from Western Europe to its eastern parts, which persisted until the middle of the 13th century. The architec - ture of three-recessed jambs with inserted columns with pear-shaped profiling of the corners of the recesses passing into an entire arch above the tympanum with a three-circle border is complemented by rich sculptural equipment of capitals and cornices. The asymmetry of the relief decor forms on the northern and southern parapets follows a distinctive iconographic program unique even within the European context. The capitals of the northern lintel with zoomorphic motifs of dragons united by one head, the heads of outcasts incorporated into a tangle of vegetation, represent the world of diabolical powers attacking the human soul in an attempt to seize it. In contrast, the southern jamb is decorated with a balanced composition of double-row tongue leaves and a cornice capitalising paradise in its harmonious expression. The two linings are a materialized expression of instruction serving as the Biblia pauperum, one of the most important missions of medieval art.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
伊利亚圣埃吉迪乌斯教堂的罗马式入口 对解释其图标方案的贡献
位于班斯卡-什蒂亚夫尼察附近伊利亚的圣埃吉迪乌斯教堂的罗马式门户可追溯到 1254 年,是独一无二的建筑和雕塑作品,其意义超越了中世纪匈牙利的国界。Andrej Kmeť 和 Václav Mencl 极大地加深了人们对该入口的历史、风格分类以及近代历史研究和修复的了解。该入口显示出从西欧向东传播的所谓诺曼风格的共同特征,这种风格一直持续到 13 世纪中叶。三镂空的门框和插入式圆柱的建筑风格,梨形的镂空边角与带有三圆边框的门楣上方的整个拱形相呼应,并辅以丰富的柱头和檐口雕刻。南北护栏上的浮雕装饰形式不对称,即使在欧洲范围内也是独一无二的。北面门楣的柱头上有龙的变形图案,龙的头由一个头连接在一起,被遗弃者的头与植物缠绕在一起,表现了邪恶力量攻击人类灵魂的世界,企图夺取人类的灵魂。与此形成对比的是,南面的门框由双排舌叶和飞檐组成,平衡和谐地表达了天堂的含义。这两个衬里是作为《贫民圣经》(Biblia pauperum)的教学内容的具体体现,也是中世纪艺术最重要的使命之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
ARS
ARS
CiteScore
0.10
自引率
0.00%
发文量
8
审稿时长
12 weeks
期刊最新文献
Formula extatického pátosu vo vyobrazeniach Ludoviky v tvorbe Veroniky Rónaiovej / The Formula of Ecstatic Pathos in Depictions of Ludovika in the Work of Veronika Rónaiová Portrét a rétorika. Na margo vzťahov a súvislostí medzi rečníckymi ozdobami a formulami pátosu v ranonovovekej portrétnej teórii a praxi / Portrait and Rhetoric. On the Relationships and Connections Between Rhetorical Embellishments and Formulas of Pathos Schöne Wissenschaften. Sammeln, Ordnen und Präsentieren im Josephinischen Wien Sakrální architektura 16. a 17. století na Moravě. Mezi historismem, modernismem a anachronismem / Sacral Architecture of the 16th and 17th Centuries in Moravia. Between Historicism, Modernism and Anachronism Apokalypsa a umění v českých zemích. „…a viděl jsem nové nebe a novou zemi…“
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1