HOW IS MASCULINE IDEOLOGY REPRESENTED IN RADITYA DIKA'S STAND-UP COMEDY?

Nurfadhela Faizti, Sumekar Tanjung
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Abstract

This research aims to explicate how the ideology of masculinity is represented in Raditya Dika's stand-up comedy. Stand-Up Comedy Raditya Dika (SUCRD) is a collection of stand-up comedy performances created by comedian and writer Raditya Dika since 2016. Humor centered around masculinity and all things related to it consistently features in Raditya Dika's stand-up material. Using Roland Barthes' semiotic approach, this research examines masculinity within the context of SUCRD performances, with a specific focus on one episode titled Cowok Goblok featuring two monologues. This episode serves as an illustrative example of how masculine ideology is represented. The researcher limits the scope to one episode to avoid data saturation. Two key findings emerge from this study. Firstly, masculine ideology is conveyed verbally through the use of affiliative humor and self-enhancing humor. Secondly, masculine ideology is represented through narratives about decision-making, maturity, characteristics, expectations, and appearance of men. Stand-up comedy serves as a medium and space for the perpetuation of masculinity.
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Raditya Dika 的单口相声如何体现男性意识形态?
本研究旨在阐述男子气概的意识形态在 Raditya Dika 的单口相声中是如何体现的。Raditya Dika 的单口喜剧(SUCRD)是喜剧演员兼作家 Raditya Dika 自 2016 年以来创作的单口喜剧表演集。Raditya Dika 的单口相声素材始终围绕男性气质以及与之相关的一切事物展开幽默。本研究采用罗兰-巴特的符号学方法,考察了 SUCRD 表演语境中的男性气质,并特别关注其中一集名为《Cowok Goblok》的两段独白。这一集可作为男性意识形态如何表现的示例。研究人员将研究范围限制在一集,以避免数据饱和。本研究得出了两个重要发现。首先,男性意识形态是通过使用附属幽默和自我强化幽默口头传达的。其次,男性意识形态是通过对男性的决策、成熟度、特征、期望和外表的叙述来体现的。相声是延续男性气质的媒介和空间。
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