Exploring the Intersection of Feminist and Psychoanalytic Theory in the Confessional Poetry of Anita Nair and Kamala Das

Sadia Intekhab
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Abstract

The genre of confessional poetry is defined by the poet's personal and frequently extremely emotional experiences. It first appeared in the middle of the 20th century and is characterised by a personal tone and the first-person point of view. This paper shall examine the confessional elements in the poetry of two prominent Indian poets, Anita Nair and Kamala Das, through a feminist and psychoanalytic perspective. In order to examine themes of love, relationships, and identity in their poetry, Nair and Das use personal experiences, emotions, and thoughts in their poems. The paper will examine the intricate power relationships between men and women underlying Nair and Das' poetry. The paper will emphasise the complex intersection of gender, power, and personal experience that underlies Anita Nair's and Kamala Das's poetry through an analysis of the confessional elements in their works.
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探索阿妮塔-奈尔和卡马拉-达斯忏悔诗中女性主义和精神分析理论的交汇点
忏悔诗这一体裁是由诗人的个人经历所决定的,诗人的经历往往极其感性。它最早出现于 20 世纪中叶,以个人基调和第一人称视角为特征。本文将从女性主义和精神分析的角度,研究两位著名印度诗人阿妮塔-奈尔和卡马拉-达斯诗歌中的忏悔元素。为了研究诗歌中关于爱情、关系和身份的主题,奈尔和达斯在诗歌中使用了个人经历、情感和思想。本文将探讨奈尔和达斯诗歌中错综复杂的男女权力关系。本文将通过分析阿妮塔-奈尔和卡马拉-达斯作品中的忏悔元素,强调性别、权力和个人经历的复杂交集是其诗歌的基础。
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