REPRESENTATION OF POLICE IN KANJURUHAN STAMPEDE

E. Karensa
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Abstract

This study examines the National Police's representation in a Twitter video (@DivHumasPolri) after the Kanjuruhan Stadium stampede, where over 130 lives were lost. The police faced criticism for allegedly using tear gas during the incident, in violation of FIFA regulations. The official National Police account responded with a 1:09 video showing police assisting the stampede victims. This research employs Hall's (1997) representation framework to elucidate the intended meaning of the video producers and multimodal analysis to find that the police use semiotic resources to represent themselves in the Kanjuruhan video. Police tried to identify themselves as key helpers for the Kanjuruhan victims, also victims during the incident, and partners of the supporters. National Police, as the video producer, was able to select relevant messages to maintain their public image and simultaneously communicate smoothly to the public regarding their position on the incident.
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警察在坎朱鲁汉踩踏事件中的代表权
本研究探讨了国家警察在坎朱鲁汉体育场踩踏事件(130 多人丧生)后在推特视频(@DivHumasPolri)中的表现。警方因涉嫌在事件中使用催泪瓦斯而受到批评,这违反了国际足联的规定。国家警察的官方账号通过一段 1:09 的视频做出了回应,视频显示警察正在帮助踩踏事件中的受害者。本研究采用霍尔(1997)的表征框架来阐释视频制作者的意图,并通过多模态分析发现,警方在 Kanjuruhan 视频中使用了符号资源来表征自己。警方试图将自己表述为坎朱鲁汉事件受害者的主要帮助者、事件中的受害者以及支持者的合作伙伴。国家警察作为视频制作者,能够选择相关信息来维护其公众形象,同时顺利地向公众传达其对事件的立场。
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TIKTOK’S SPIRAL OF ANTISEMITISM: A STUDY CASE IN INDONESIA RUANG PUBLIK BARU DAN PERUBAHAN SOSIAL: PEMANFAATAN INTERNET UNTUK ADVOKASI DAN DISEMINASI ISU PENUNDAAN PEMILU STUDI KASUS MAFINDO DAN DRONE EMPRIT NASIONALISME DALAM FILM SUSI SUSANTI LOVE ALL REPRESENTATION OF POLICE IN KANJURUHAN STAMPEDE KOMUNIKASI ANGGOTA KELUARGA UNTUK PENGASUHAN ANAK CEREBRAL PALSY
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