{"title":"Situations of writing","authors":"Jane Birkin, Sunil Manghani","doi":"10.1080/14702029.2023.2237318","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article provides a critical introduction to a double issue of Journal of Visual Art Practice. The issue, titled ‘Situations of Writing’, explores the intersections of art practice, hybrid forms of writing, and knowledge production. It draws together a variety of contributions that variously delve into the complexities of writing with and around images, emphasising experimental approaches, and reimagining traditional scholarly publishing. This introduction situates the key problematics, drawing upon historical examples, but within the present-day context of academic, digital publishing. The editors urge practitioners to challenge conventional modes of academic writing, inviting makers, authors and readers to have a stake in an evolving landscape of art practice and visual culture studies. Setting out a combined exploration (and making) of form, content, and the structures of address, this special issue paves the way for new possibilities in scholarly research and knowledge dissemination.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"532 1","pages":"93 - 109"},"PeriodicalIF":0.0000,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2023.2237318","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This article provides a critical introduction to a double issue of Journal of Visual Art Practice. The issue, titled ‘Situations of Writing’, explores the intersections of art practice, hybrid forms of writing, and knowledge production. It draws together a variety of contributions that variously delve into the complexities of writing with and around images, emphasising experimental approaches, and reimagining traditional scholarly publishing. This introduction situates the key problematics, drawing upon historical examples, but within the present-day context of academic, digital publishing. The editors urge practitioners to challenge conventional modes of academic writing, inviting makers, authors and readers to have a stake in an evolving landscape of art practice and visual culture studies. Setting out a combined exploration (and making) of form, content, and the structures of address, this special issue paves the way for new possibilities in scholarly research and knowledge dissemination.
期刊介绍:
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research