Synergy of the creativity of Vira Chernienko

R. Sheretiuk
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Abstract

The article examines the artistic and pedagogical achievements of modern Rivne artist Vira Chernienko, which is the first attempt of generalization of the factual material of this problem in Ukraine. The stages of her professional development are outlined, in particular a list of international and all-Ukrainian art events, in which she participated and also it is provided the information about her personal art exhibitions. It is indicated that the art of Vira Andriivna is one of the manifestations of the modern process of promoting ceramic in the spheres of fine art. It is shown, that the artist is extremely approaching to the realization of fine art tasks, because her works have a quite decorative, abstract character, on the first plan of which come out refined tonal and color comparisons, as well as textured effects. It is revealed Vira Chernienko’s gradual distancing from image-thematic and compositional-stylistic stereotypes of the past in interpretations of female images. It is emphasized, that their femininity reveals through passion, sensuality and sexuality. At the same time they are independent, have the potential of a powerful life-giving force. It creates the image of woman as the bosom of nature – the symbol of the fullness of human being. It has been investigated, that her artistic activity Vira Chernienko combines with pedagogical, because more than 20 years she has realized herself effectively as a teacher of the department of fine and decorative art in Rivne State Humanitarian University. A number of students’ diploma theses, which are made under her leadership as a ceramic artist, is described. They attest the influence of Vira Chernienko’s school, namely the ability to reveal the latent artistic potential of ceramic, as well as the ability to create artistic images, which go out of the scope of decorative exploitation and belong to the high fine art. It is emphasized, that perfect dominions of a wide spectrum of artistic possibilities of ceramic in combination with a deep interpretation of the surrounding reality and proper implementation of the tasks of the higher school of professional training of specialists in fine and decorative applied art create the effect of synergy of Vira Chernienko’s creativity.
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维拉-切尔尼延科创造力的协同作用
文章对罗夫诺现代艺术家维拉-切尔尼延科的艺术和教学成就进行了研究,这是在乌克兰首次尝试对这一问题的事实材料进行概括。文中概述了她的职业发展阶段,特别是她参加的国际和全乌克兰艺术活动清单,还提供了有关她个人艺术展的信息。书中指出,Vira Andriivna 的艺术是现代工艺美术领域推广陶瓷艺术的表现形式之一。她的作品具有很强的装饰性和抽象性,在作品的第一张平面图上就能看到精致的色调和色彩对比,以及纹理效果。在对女性形象的诠释中,维拉-切尔尼延科逐渐摆脱了过去在图像主题和构图风格上的陈旧观念。作品强调,她们的女性特质通过激情、感性和性欲展现出来。同时,她们又是独立的,具有强大生命力的潜质。这塑造了女性作为自然怀抱的形象--人类丰满的象征。 据调查,维拉-切尔尼延科的艺术活动与教学相结合,因为 20 多年来,她一直在罗夫诺国立人文大学美术与装饰艺术系担任教师。在她作为陶瓷艺术家的领导下,学生们完成了许多毕业论文。这些论文证明了维拉-切尔尼延科学校的影响,即揭示陶瓷潜在艺术潜力的能力,以及创造艺术形象的能力,这些艺术形象超出了装饰性利用的范围,属于高级美术。 需要强调的是,对陶瓷艺术广泛可能性的完美掌控,结合对周围现实的深刻解读,以及正确执行高等美术和装饰应用艺术专业培训学校的任务,产生了维拉-切尔尼延科创造力的协同效应。
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