Diverse Sound Practices: An exploration of experimental electronic music in regional Australia

IF 0.2 3区 艺术学 0 MUSIC Organised Sound Pub Date : 2024-01-25 DOI:10.1017/s1355771823000638
Andrew R. Brown, Andy Bennett, John Ferguson, Catherine Strong
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Abstract

Examining the role of arts and culture in regional Australia often focuses on economic aspects within the creative industries. However, this perspective tends to disregard the value of unconventional practices and fails to recognise the influence of regional ecological settings and the well-being advantages experienced by amateur and hobbyist musicians who explore ubiquitous methods of music creation. This article presents the results of a survey conducted among practitioners in regional Australia, exploring their utilisation of creative technology ecosystems. This project marks the first independent, evidence-based study of experimental electronic music practices in regional Australia and how local and digital resource ecosystems support those activities. Spanning the years 2021 and 2022, the study involved interviewing 11 participants from many Australian states. In this article, we share the study’s findings, outlining the diverse range of experimental electronic music practices taking place across regional Australia and how practitioners navigate the opportunities and challenges presented by their local context.
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多元声音实践:澳大利亚地区实验电子音乐探索
研究澳大利亚地区艺术与文化的作用通常侧重于创意产业的经济方面。然而,这种观点往往忽视了非常规实践的价值,没有认识到地区生态环境的影响,也没有认识到业余和业余音乐家在探索无处不在的音乐创作方法时所体验到的福祉优势。本文介绍了一项针对澳大利亚地区从业者的调查结果,探讨了他们对创意技术生态系统的利用情况。该项目是对澳大利亚地区实验性电子音乐实践以及当地和数字资源生态系统如何支持这些活动进行的首次独立、循证研究。这项研究跨越 2021 年和 2022 年,采访了来自澳大利亚多个州的 11 名参与者。在本文中,我们将分享研究结果,概述澳大利亚各地区实验电子音乐实践的多样性,以及实践者如何驾驭当地环境带来的机遇和挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.20
自引率
16.70%
发文量
38
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