A planar graph as a topological model of a traditional fairy tale

IF 0.9 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Semiotica Pub Date : 2024-01-24 DOI:10.1515/sem-2023-0116
Nazarii Nazarov
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Abstract

The primary objective of this study was to propose a functional discrete mathematical model for analyzing folklore fairy tales. Within this model, characters are denoted as vertices, and explicit instances of communication – both verbal and non-verbal – within the text are depicted as edges. Upon examining a corpus of Eastern Slavic fairy tales in comparison to Chukchi fairy tales, unforeseen outcomes emerged. Notably, the constructed models seem to evade establishing certain connections between characters. Consequently, instances where the interactions among fairy tale characters would result in a non-planar graph structure are notably absent. To put it differently, the models refrain from incorporating sub-graphs delineated by the Kuratowski theorem governing planar graphs, specifically the minimal non-planar graphs Κ5 and Κ3,3. Remarkably, even in more extensive texts featuring a larger cast of characters, connections that would yield a non-planar graph pattern are consistently avoided. This leads to the formulation of a hypothesis positing that traditional folk tales adhere to a “planar narrative” design – an identifiable narrative variant characterized by inherent limitations in complexity. This design, in turn, appears deeply entrenched within the societal framework of the cultures that produced these folk narratives.
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作为传统童话拓扑模型的平面图
本研究的主要目的是提出一种用于分析民间传说童话的功能离散数学模型。在该模型中,人物被表示为顶点,文本中明确的交流实例(包括语言和非语言交流)被描述为边。在将东斯拉夫童话与楚科奇童话进行对比研究后,出现了意想不到的结果。值得注意的是,建构的模型似乎回避了建立人物之间的某些联系。因此,童话人物之间的互动会导致非平面图结构的情况明显不存在。换句话说,这些模型没有包含库拉托夫斯基定理(Kuratowski theorem)中关于平面图的子图,特别是最小非平面图 Κ5 和 Κ3,3。值得注意的是,即使在内容更丰富、人物更多的文本中,也始终避免了会产生非平面图形模式的连接。由此,我们提出了一个假设,即传统民间故事遵循一种 "平面叙事 "设计--一种可识别的叙事变体,其特点是在复杂性方面存在固有的局限性。反过来,这种设计在产生这些民间故事的文化的社会框架中似乎根深蒂固。
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来源期刊
Semiotica
Semiotica Multiple-
CiteScore
1.30
自引率
37.50%
发文量
65
期刊介绍: Semiotica, the Journal of the International Association for Semiotic Studies, founded in 1969, appears in five volumes of four issues per year, in two languages (English and French), and occasionally in German. Semiotica features articles reporting results of research in all branches of semiotic studies, in-depth reviews of selected current literature in this field, and occasional guest editorials and reports. From time to time, Special Issues, devoted to topics of particular interest, are assembled by Guest Editors. The publishers of Semiotica offer an annual prize, the Mouton d"Or, to the author of the best article each year. The article is selected by an independent international jury.
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