African Traditional Arts and Ornamentation in the Architecture of the Cultural Centre Ibadan

O.M. Olaniyan, F.B. Egunjobi, A. Adegoke
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Abstract

Art and architecture have been intertwined throughout history. Art in its various forms has played a vital role in the lives of African people  as evident in their architecture. The paper reviewed the African visual culture with respect to ornamentation in the built  environment as well as the variations of cultural heritage in the anthropogenic sense. The study adopted a qualitative approach using the  case study method with the selection of the Cultural Centre Ibadan. The 1977 Second World Black and African Festival of Arts and  Culture (FESTAC 77) held in Lagos, Nigeria inspired the architecture of the National Theatre in Lagos, and other cultural centres in other  cities in Nigeria including the Cultural Centre, Ibadan which exemplified African arts and ornamentation in its façade and spaces. The  Cultural Centre Ibadan is a significant masterpiece adorned with African traditional arts and ornamentation. It embodies a bold fusion of  art and architecture evident in the intricate sculptural reliefs that beautify its walls, the wooden and metal ornamentation embellishing its  halls and lobbies, the luscious blend of geometrical forms and shapes in its façade, its harmony with the undulating landscape and  the concrete anthropomorphic sculptural pieces that welcome guests into the entrance quadrangle. The themes of the arts and  ornamentation of the Cultural Centre Ibadan reflect traditional Yoruba cultural festivals, philosophical and religious motifs that has  transformed the building into a cultural heritage. Artfully embellished architecture with symbolic meanings like the Cultural Centre  Ibadan affords the dividends of cultural emancipation, cultural renaissance and cultural preservation. The interweaving of art and  architecture in public buildings should be promoted. 
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伊巴丹文化中心建筑中的非洲传统艺术和装饰品
纵观历史,艺术与建筑一直交织在一起。各种形式的艺术在非洲人民的生活中发挥了至关重要的作用,这一点从他们的建筑中可见一斑。本文回顾了非洲在建筑环境装饰方面的视觉文化,以及人为意义上的文化遗产变异。研究采用了定性方法,以伊巴丹文化中心为案例进行研究。1977 年在尼日利亚拉各斯举办的第二届世界黑人和非洲艺术文化节(FESTAC 77)启发了拉各斯国家大剧院和尼日利亚其他城市的其他文化中心的建筑设计,其中包括伊巴丹文化中心,该中心的建筑立面和空间都体现了非洲艺术和装饰风格。伊巴丹文化中心是以非洲传统艺术和装饰为装饰的重要杰作。它大胆地将艺术与建筑融为一体,体现在美化墙壁的复杂雕塑浮雕、点缀大厅和大堂的木质和金属装饰品、外墙几何形状和造型的完美融合、与起伏景观的和谐统一以及欢迎客人进入入口广场的混凝土拟人雕塑作品。伊巴丹文化中心的艺术和装饰主题反映了约鲁巴人的传统文化节日、哲学和宗教主题,将该建筑变成了文化遗产。像伊巴丹文化中心这样具有象征意义的艺术装饰建筑带来了文化解放、文化复兴和文化保护的红利。应促进公共建筑中艺术与建筑的交织。
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