{"title":"Staging division: power, violence, and theatricality in The Baby of Mâcon","authors":"Marco de Waard","doi":"10.1080/20004214.2024.2318816","DOIUrl":null,"url":null,"abstract":"Peter Greenaway’s The Baby of Mâcon (1993) was highly controversial at the time of its release; its means for critiquing cinematic voyeurism and the exploitability of audiences were received as bla...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2024-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Aesthetics & Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20004214.2024.2318816","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
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Abstract
Peter Greenaway’s The Baby of Mâcon (1993) was highly controversial at the time of its release; its means for critiquing cinematic voyeurism and the exploitability of audiences were received as bla...
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