{"title":"The agonistic imagination: the illiberal and pluralist possibilities of contemporary BrexLit fiction","authors":"Marc Farrant","doi":"10.1080/10304312.2024.2328222","DOIUrl":null,"url":null,"abstract":"This essay explores recent work of Zadie Smith (‘The Embassy if Cambodia’, 2013, and ‘The Lazy River’, 2019) and David Szalay (All That Man Is, 2016), as examples of BrexLit fiction, a term coined ...","PeriodicalId":79211,"journal":{"name":"Continuum","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Continuum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10304312.2024.2328222","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
This essay explores recent work of Zadie Smith (‘The Embassy if Cambodia’, 2013, and ‘The Lazy River’, 2019) and David Szalay (All That Man Is, 2016), as examples of BrexLit fiction, a term coined ...
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