{"title":"The changing face of my jazz photographic practice","authors":"Brian Homer","doi":"10.1558/jazz.27310","DOIUrl":null,"url":null,"abstract":"This article is a reflection on my jazz photography practice and how it has changed with my involvement in academic research after becoming actively involved in the Jazz Studies cluster at the Birmingham Centre for Media and Cultural Research (BCMCR), Birmingham City University and starting a close collaboration with jazz scholar Dr Pedro Cravinho. My practice evolved from photographing musicians playing at gigs to visualising the jazz scene and musicians from a different perspective which includes aspects of their off-stage lives. Through our discussions and common interests in the local jazz scene(s), Cravinho and I began developing a research process in which photography is the visual driver but is underpinned by Pedro’s rigorous academic input. Our collaboration is built on my documentary photography practice and Pedro’s ethnomusicological research background.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jazz Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jazz.27310","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
This article is a reflection on my jazz photography practice and how it has changed with my involvement in academic research after becoming actively involved in the Jazz Studies cluster at the Birmingham Centre for Media and Cultural Research (BCMCR), Birmingham City University and starting a close collaboration with jazz scholar Dr Pedro Cravinho. My practice evolved from photographing musicians playing at gigs to visualising the jazz scene and musicians from a different perspective which includes aspects of their off-stage lives. Through our discussions and common interests in the local jazz scene(s), Cravinho and I began developing a research process in which photography is the visual driver but is underpinned by Pedro’s rigorous academic input. Our collaboration is built on my documentary photography practice and Pedro’s ethnomusicological research background.
期刊介绍：
Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.
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