Vernon Lee: Art Lover

IF 0.2 2区 文学 N/A LITERATURE ELH Pub Date : 2024-03-01 DOI:10.1353/elh.2024.a922011
Elizabeth Greeniaus
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引用次数: 0

Abstract

Abstract: Victorian art critic and historian Vernon Lee is best known for her theory of empathy, which attributes art viewers' consciously held aesthetic preferences to unconsciously felt physiological responses to visual stimuli. Scholars have been especially interested in the ways empathy anticipates modernist and New Critical emphases on objectivity and empiricism, often treating empathy as the culmination of Lee's career. This article turns to lesser-known texts by Lee to show that she went on to have serious misgivings not only about her own physiological theory of aesthetics but about other critics' pursuits of objectivity and empiricism as well.
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弗农-李:艺术爱好者
摘要:维多利亚时期的艺术评论家和历史学家弗农-李(Vernon Lee)以她的移情理论最为著名,该理论将艺术观众有意识地持有的审美偏好归因于无意识地感受到的对视觉刺激的生理反应。学者们对移情理论如何预示现代主义和新批判主义对客观性和经验主义的强调尤为感兴趣,往往将移情理论视为李氏艺术生涯的顶峰。本文通过李的一些鲜为人知的文章来说明,她不仅对自己的美学生理理论有严重的疑虑,而且对其他批评家追求客观性和经验主义也有严重的疑虑。
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来源期刊
ELH
ELH LITERATURE-
CiteScore
0.60
自引率
0.00%
发文量
30
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