{"title":"Tearing through the screen: diegetic credits, dialogic media, and fictional reality in Kon Satoshi’s Paprika","authors":"Jiajun Liang","doi":"10.1080/09555803.2024.2332173","DOIUrl":null,"url":null,"abstract":"This article offers an examination of Japanese anime director Kon Satoshi’s artistic style, with a particular focus on his presentation of the title credits, by tracing his career as an internation...","PeriodicalId":44495,"journal":{"name":"Japan Forum","volume":"116 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Japan Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09555803.2024.2332173","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
This article offers an examination of Japanese anime director Kon Satoshi’s artistic style, with a particular focus on his presentation of the title credits, by tracing his career as an internation...
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
