The origins of film, psychology and the neurosciences

IF 0.8 2区 历史学 Q2 HISTORY & PHILOSOPHY OF SCIENCE History of the Human Sciences Pub Date : 2024-04-29 DOI:10.1177/09526951241244979
Bonnie Evans
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Abstract

The invention of film technologies in France at the end of the 19th century inspired neurologists and associated professionals to engage with this new medium to demonstrate their theories of the brain, the nervous system, and the mind. Beginning with the origins of cinema in Paris, this article explores how film technologies were used at La Salpêtrière, and beyond, to visualise internal mental processes, and to support the burgeoning sciences of the mind. This film-making became increasingly sophisticated by the late 1910s and early 1920s, creating innovative ways to present psychological experiences on film. This article focuses on films produced by Albert Londe, Vincenzo Neri, Gheorghe Marinescu, and Jean Comandon. It argues that these polymaths created new filming techniques that built complexity into the visual articulation of psychological concepts. Their films were essential to shaping early debates in neurology, psychology, and the observational sciences during this critical period in the establishment of the modern sciences of the self.
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电影、心理学和神经科学的起源
19 世纪末,法国发明了电影技术,这激发了神经学家和相关专业人士利用这种新媒体来展示他们的大脑、神经系统和思维理论。本文从电影在巴黎的起源开始,探讨电影技术如何在 Salpêtrière 及其他地方被用于将内部心理过程可视化,并为新兴的心智科学提供支持。到 20 世纪 10 年代末和 20 世纪 20 年代初,电影制作变得越来越复杂,创造出了在电影中呈现心理体验的创新方式。本文重点介绍阿尔伯特-隆德(Albert Londe)、文森佐-内里(Vincenzo Neri)、格奥尔基-马里内斯库(Gheorghe Marinescu)和让-科曼东(Jean Comandon)制作的电影。文章认为,这些多面手创造了新的拍摄技术,将复杂性融入到心理概念的视觉表达中。在建立现代自我科学的关键时期,他们的电影对影响神经学、心理学和观察科学的早期辩论至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
History of the Human Sciences
History of the Human Sciences 综合性期刊-科学史与科学哲学
CiteScore
1.60
自引率
11.10%
发文量
31
审稿时长
>12 weeks
期刊介绍: History of the Human Sciences aims to expand our understanding of the human world through a broad interdisciplinary approach. The journal will bring you critical articles from sociology, psychology, anthropology and politics, and link their interests with those of philosophy, literary criticism, art history, linguistics, psychoanalysis, aesthetics and law.
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