Rhythmic and sound organization as the principle of structural integrity of I. Gogolev's poem "The Glade of Poetry"

E. M. Efremova
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Abstract

The results are revealed based on the analysis of the poem by the national poet of Yakutia I. M. Gogolev "The Glade of Poetry" (1979), which played a significant role in the formation of an individual author's style. The choice of material is dictated by the desire for a more in-depth study of the poetics of poems, as well as insufficient knowledge of the author's poetry. The article deals with the problem of poetic integrity of the text from the point of view of rhythmic and sound organization. The purpose of the study is to identify some features of rhythmic and sound organization as the fundamental principles of verse structuring. Scientific novelty is determined by the possibility of establishing the specifics of I. Gogolev's individual style in the aspect of the problem of the integrity of the poetic text. As a result of the study, it was found that rhythmic composition is one of the basic principles of verse structuring. I. Gogolev consciously adheres to the model of symmetrical structure, which, according to our assumptions, is associated with the narrative course of the presentation of the system of thoughts.
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伊-戈戈列夫的诗歌 "诗歌的幽谷 "中作为结构完整性原则的节奏和声音组织
对雅库特民族诗人 I. M. 戈戈列夫的诗作《诗歌的峡谷》(1979 年)进行分析后得出的结果显示,该诗作对作者个人风格的形成起到了重要作用。由于希望对诗歌的诗学进行更深入的研究,以及对作者的诗歌了解不够,因此选择了这一材料。文章从节奏和声音组织的角度探讨文本的诗学完整性问题。研究的目的是找出作为诗歌结构基本原则的节奏和声音组织的一些特点。科学的新颖性取决于能否在诗歌文本的完整性问题上确定伊-戈戈列夫个人风格的具体特点。研究结果表明,节奏构成是诗歌结构的基本原则之一。伊-戈戈列夫有意识地坚持对称结构模式,根据我们的推测,这与思想体系的叙事过程有关。
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