{"title":"Rhythm, noise and action: decoding R.D. Burman’s soundtracks of Bombay cinema","authors":"Shikha Jhingan","doi":"10.1080/19472498.2024.2396787","DOIUrl":null,"url":null,"abstract":"The sustained use of ‘Western’ style orchestration in Bombay film music can be attributed to the trajectory of two kinds of musical practices, one tethered to the leisure economies developed by the...","PeriodicalId":43902,"journal":{"name":"South Asian History and Culture","volume":null,"pages":null},"PeriodicalIF":0.9000,"publicationDate":"2024-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"South Asian History and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19472498.2024.2396787","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
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Abstract
The sustained use of ‘Western’ style orchestration in Bombay film music can be attributed to the trajectory of two kinds of musical practices, one tethered to the leisure economies developed by the...
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