{"title":"Malabou's Cineplastics and Contemporary French Film: Jacques Audiard, Céline Sciamma and Mia Hansen-Løve","authors":"Martin O’Shaughnessy","doi":"10.3366/film.2024.0279","DOIUrl":null,"url":null,"abstract":"Film-Philosophy, Volume 28, Issue 3, Page 428-453, October, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"3 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film-Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/film.2024.0279","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
马拉博的电影塑料与当代法国电影：雅克-奥迪亚尔、席琳-斯基亚玛和米娅-汉森-勒夫
电影哲学》，第 28 卷第 3 期，第 428-453 页，2024 年 10 月。
本文章由计算机程序翻译，如有差异，请以英文原文为准。
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