Claiming Ancient Egypt: Operetta ‘Aida and the Making of Modern Egyptians

Abstract

On 24 December 1871, Giuseppe Verdi’s opera Aida premiered in Cairo’s Khedivial Opera House. The Khedive of Egypt, Ismail, had commissioned Verdi to compose the opera as part of a larger program of urban renewal that had peaked with the Suez Canal’s inauguration in November 1869. Wide boulevards, landscaped gardens, and luxury hotels of iron, steel, and the improved glass of the nineteenth century modernized sections of Cairo and Alexandria. In anticipation of the many guests who planned to attend the canal’s inauguration, Ismail funded the construction of a road leading directly from Cairo to the pyramids and patronized the construction of a Khedivial Opera House.1