{"title":"The Role of Orality in Robert Morin’s Le nèg’ and Quiconque meurt, meurt à douleur","authors":"P. Gauthier","doi":"10.3828/QS.2018.15","DOIUrl":null,"url":null,"abstract":"The general goal of this article is to shed a new light on the role of orality in two of Robert Morin’s productions, Le neg’ (or The Negro in English, released in 2002) and Quiconque meurt, meurt a...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quebec Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/QS.2018.15","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The general goal of this article is to shed a new light on the role of orality in two of Robert Morin’s productions, Le neg’ (or The Negro in English, released in 2002) and Quiconque meurt, meurt a...
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