Revisiting film cities and film services: Methodology, theory and applications

IF 0.2 0 FILM, RADIO, TELEVISION Journal of African Cinemas Pub Date : 2018-04-01 DOI:10.1386/JAC.10.1-2.9_1
T. O’Regan
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引用次数: 4

Abstract

Film cities and film services perspectives have become an important part of policy thinking about film and television production. It is now routine for a variety of governmental and industry agencies to assist in supporting, marketing and developing local capabilities, infrastructures and resources. The aim is usually to extend the local footprint of the film and television industries by attracting foot loose globally dispersed productions. This article revisits and expands earlier perspectives on film cities and film services developed by the author and his collaborators. It does this in order to compare Australian and South African cities' participation in national and global film production and to consider how such approaches may be usefully redisposed for policy thinking and opportunities for South Africa's large informal market settings.
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电影城市与电影服务:方法论、理论与应用
电影城市和电影服务视角已成为影视制作政策思考的重要组成部分。现在,各种政府和行业机构协助支持、营销和发展当地能力、基础设施和资源已成为惯例。其目的通常是通过吸引分散在全球各地的电影和电视制作来扩大电影和电视行业在当地的足迹。本文回顾并扩展了作者及其合作者对电影城市和电影服务的早期观点。它这样做是为了比较澳大利亚和南非城市参与国家和全球电影制作的情况,并考虑如何有效地重新提出这些方法,为南非的大型非正规市场环境提供政策思考和机会。
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来源期刊
Journal of African Cinemas
Journal of African Cinemas FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.
期刊最新文献
The Battle of Algiers, Alan O’Leary (2019) Space and Time in African Cinema and Cine-scapes, Kenneth W. Harrow (2022) The 21st Century Film, TV & Media School: Challenges, Clashes, Changes, Maria Dora Mourão, Stanislav Semerdjiev, Cecília Mello and Alan Taylor (eds) (2016) Projecting Nation: South African Cinemas after 1994, Cara Moyer-Duncan (2020) Can the archive restore you? A study of three works: Mpho Khwezi’s A Piece of Paper (2020), Abri de Swardt’s Ridder Thirst (2018) and Eva Knopf’s Majubs Reise (2013)
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