The Fourth Wall

IF 0.7 Q3 COMMUNICATION Feminist Media Histories Pub Date : 2019-10-01 DOI:10.1525/fmh.2019.5.4.68
Toni Adeyemi, Karina Hodoyán, Cheryl Dunye
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引用次数: 0

Abstract

Toni Adeyemi, a senior in media studies at the University of San Francisco, and Karina Hodoyán, an associate professor in the Spanish Studies program and director of the Master's in Migration Studies at the University of San Francisco, interview filmmaker Cheryl Dunye. The conversation took place across different media platforms and moments in time, and focuses on both Dunye's past work and her recent directorial transition into new platforms of filmmaking and storytelling, including directing episodic television. Dunye mentions the politicization of the breaking of the “fourth wall,” and the advent of social-media storytelling about identity, race, gender, and queer desire. She also discusses her current project Black Is Blue, a work in progress set in the future about a love affair between a trans couple in Oakland. The figures show a related Instagram project touching on Dunye's many influences as well as instances of fourth-wall breaking in contemporary television.
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第四堵墙
旧金山大学媒体研究专业的大四学生托尼·阿德耶米(Toni Adeyemi)和旧金山大学西班牙研究项目副教授、移民研究硕士项目主任卡丽娜Hodoyán采访了电影制作人谢丽尔·邓耶(Cheryl Dunye)。这次谈话发生在不同的媒体平台和时间点上,重点是邓耶过去的作品,以及她最近向电影制作和讲故事的新平台转型的导演,包括导演情节电视。Dunye提到了“第四堵墙”被打破的政治化,以及社交媒体讲述身份、种族、性别和酷儿欲望的出现。她还谈到了她目前的项目《黑即是蓝》,这是一部正在进行中的作品,讲述了奥克兰一对跨性别夫妇之间的爱情故事。这些数据显示了一个相关的Instagram项目,涉及邓耶的许多影响,以及当代电视中打破第四堵墙的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Feminist Media Histories
Feminist Media Histories Arts and Humanities-History
CiteScore
0.70
自引率
0.00%
发文量
18
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