“Hot Collecting Off the Record: Ralph J. Gleason’s Start in Music Journalism”

Q3 Arts and Humanities Jazz Perspectives Pub Date : 2020-05-03 DOI:10.1080/17494060.2019.1702574
Don Armstrong
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引用次数: 1

Abstract

ABSTRACT Ralph J. Gleason (1917–75) was one of the most influential writers on jazz and popular music from the 1930s until his death. Because of his significance to music journalism, Gleason’s contributions to music writing have been studied in numerous articles and books, yet his formative years remain understudied. This article will take a closer look at a wide array of early experiences, and will show how they shaped Gleason’s journalistic persona, music aesthetic, and political activism. The accounts of Gleason’s early years focus exclusively on two events: his teenage jazz conversion in Chappaqua, New York, and his initiation into record collecting at Columbia University during the nascent years of the Swing Era. While these incidents were deeply formative, they were part of larger pattern of experiences that shaped Gleason in this critical period.
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“唱片外的热门收藏:拉尔夫·J·格里森的音乐新闻学之路”
摘要拉尔夫·J·格里森(1917–75)是20世纪30年代至去世期间最具影响力的爵士乐和流行音乐作家之一。由于格里森对音乐新闻的重要意义,他对音乐写作的贡献在许多文章和书籍中都有研究,但他的成长岁月仍然没有得到充分的研究。这篇文章将更深入地研究一系列早期经历,并展示它们是如何塑造格里森的新闻个性、音乐美学和政治激进主义的。对格里森早年的描述只集中在两个事件上:他在纽约查帕夸的青少年爵士乐转变,以及在摇摆时代的最初几年,他在哥伦比亚大学开始收集唱片。虽然这些事件具有深刻的形成性,但它们是在这一关键时期塑造格里森的更大经历模式的一部分。
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来源期刊
Jazz Perspectives
Jazz Perspectives Arts and Humanities-Music
CiteScore
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