Skogler: Photography at the Service of Falangism (Zaragoza, July 1936)

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Fascism Pub Date : 2021-06-24 DOI:10.1163/22116257-10010002
Diego Navarro-Bonilla, Jesús Robledano-Arillo
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Abstract

This article analyses the role of ‘Skogler’ (Ángel Cortés Gracia), a photographer who worked for the insurgent Falangist forces in the city of Zaragoza, the capital of Aragón, from the beginning of the Spanish Civil War. Skogler’s strong and early ties to the fascist movement, going back years before the war, suggest a special profile of an individual who supported the Falangist party by means of visual propaganda and printed photographs. Most of the photographs selected for study here have never been published before. They were shot in the early days of the military uprising against the Republic and help give us a more accurate understanding of armed fascism in the Aragonese capital, which ultimately fell to the rebels. This paper is part of an ongoing research project and exhibition to analyse and describe the contents and physical characteristics of the Skogler Archive, composed of more than 3,500 negatives recovered in diverse chronological phases.
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斯科格勒:为法兰哲主义服务的摄影(萨拉戈萨,1936年7月)
本文分析了“Skogler”(Ángel Cortés Gracia饰)的角色,他是一名摄影师,从西班牙内战开始就为阿拉贡首府萨拉戈萨市的法兰哲叛乱部队工作。斯科格勒与法西斯运动的早期联系可以追溯到战前几年,这表明了一个通过视觉宣传和印刷照片支持法兰哲党的人的特殊形象。这里被选中研究的大多数照片以前从未发表过。他们是在反对共和国的军事起义初期被枪杀的,这有助于我们更准确地了解阿拉贡首都的武装法西斯主义,最终落入叛军手中。本文是正在进行的研究项目和展览的一部分,旨在分析和描述斯科格勒档案馆的内容和物理特征,该档案馆由3500多张按不同时间阶段回收的底片组成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Fascism
Fascism HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
审稿时长
20 weeks
期刊介绍: Fascism publishes peer-reviewed (double blind) articles in English, mainly but not exclusively by both seasoned researchers and postgraduates exploring the phenomenon of fascism in a comparative context and focusing on such topics as the uniqueness and generic aspects of fascism, patterns in the causal aspects/genesis of various fascisms in political, economic, social, historical, and psychological factors, their expression in art, culture, ritual and propaganda, elements of continuity between interwar and postwar fascisms, their relationship to national and cultural crisis, revolution, modernity/modernism, political religion, totalitarianism, capitalism, communism, extremism, charismatic dictatorship, patriarchy, terrorism, fundamentalism, and other phenomena related to the rise of political and social extremism.
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