Thematic analysis of scientific publications dedicated to the development of a greeting card in the context of its historical and socio-cultural

K. Davydova
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Along with this, general scientific methods are used: comparative, analysis, synthesis, monitoring, systematization, statistical, historical and chronological, which allows scientists to analyze the communicative, philological component, to reveal the collection and classification of postcards. Based on this, we gain additional knowledge about the object of study.The results. A thematic review of scientific works published in recent years and devoted to the emergence and historical development of the postal greeting card of the end of the 19th — beginning of the 20th century in the context of its historical and socio-cultural development was conducted. The problems, content and main ideas of scientific publications are considered, in which scientists conduct an analysis of the communicative and philological component, reveal the issue of collecting and classifying postcards, highlight the process of creating a postal greeting card from the standpoint of socio-cultural and historical heritage, and not only from the standpoint of a means of transmission information.An overview of the directions of scientific research on postcards of the end of the 19th and the beginning of the 20th centuries was carried out. The authors of scientific works, for the most part, consider the history of the origin and formation of the greeting card (historical component), consider the postcard as one of the currents of fine art, in the context of studying the socio-cultural development of the corresponding historical period of time, propose methods of classification and attribution of postcards, considering the postcard from the point of view collecting, offering their approaches to exhibiting collectible collections of postcards by thematic areas. The article also includes scientific publications by authors who researched not only the front side of the postcard, which contains an artistic (graphic) image, but also the reverse side, which contains the text, postmarks, country of origin, dates of dispatch (production), etc. Attention is focused on the work, where the author for the first time carried out an analysis of the main directions of using the texts of open letters and developed methodical recommendations for their study.As a result of research, it was established that the majority of modern scientific works, articles and other publications on a certain topic belong to Russian scientists. The Ukrainian greeting card as an object of study of the phenomenon of graphic art remains out of the attention of domestic researchers, especially in the context of design. This requires further art studies of the peculiarities of the design of the domestic postal greeting card of the end of the 19th and the beginning of the 20th centuries from the standpoint of figurative, stylistic and cultural potential.Scientific novelty. Is to consider the issues, content and main ideas of scientific publications, in which scientists analyze the communicative, philological component, reveal the collection and classification of postcards, highlight the process of creating a greeting card from the standpoint of socio-cultural and historical heritage, not just means of transmitting information.Practical significance. Dissertation research can serve as a basis for practical work with postcard funds in departments of libraries, archives and museums; for the development of methodological recommendations aimed at improving the modern practice of publishing art postcards; while reading courses on the history of Ukrainian art of the end of the 11th and beginning of the 20th centuries, as well as preparing a general monographic study on the Ukrainian art postcard.","PeriodicalId":33898,"journal":{"name":"teoriia ta praktika dizainu","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"teoriia ta praktika dizainu","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18372/2415-8151.25.16797","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

The purpose. To carry out a thematic review of scientific works published in recent years and devoted to the emergence and historical development of the postcard greeting card of the late nineteenth — early twentieth century in the context of its historical and socio-cultural development.The research methodology. The article uses well-known art methods: historical-cultural, historical-attribute, which cover the process of formation of a greeting card from the standpoint of socio-cultural and historical heritage, and not only from the standpoint of information, contribute to the evolution and figurative transformation of the greeting card. chronological order. Along with this, general scientific methods are used: comparative, analysis, synthesis, monitoring, systematization, statistical, historical and chronological, which allows scientists to analyze the communicative, philological component, to reveal the collection and classification of postcards. Based on this, we gain additional knowledge about the object of study.The results. A thematic review of scientific works published in recent years and devoted to the emergence and historical development of the postal greeting card of the end of the 19th — beginning of the 20th century in the context of its historical and socio-cultural development was conducted. The problems, content and main ideas of scientific publications are considered, in which scientists conduct an analysis of the communicative and philological component, reveal the issue of collecting and classifying postcards, highlight the process of creating a postal greeting card from the standpoint of socio-cultural and historical heritage, and not only from the standpoint of a means of transmission information.An overview of the directions of scientific research on postcards of the end of the 19th and the beginning of the 20th centuries was carried out. The authors of scientific works, for the most part, consider the history of the origin and formation of the greeting card (historical component), consider the postcard as one of the currents of fine art, in the context of studying the socio-cultural development of the corresponding historical period of time, propose methods of classification and attribution of postcards, considering the postcard from the point of view collecting, offering their approaches to exhibiting collectible collections of postcards by thematic areas. The article also includes scientific publications by authors who researched not only the front side of the postcard, which contains an artistic (graphic) image, but also the reverse side, which contains the text, postmarks, country of origin, dates of dispatch (production), etc. Attention is focused on the work, where the author for the first time carried out an analysis of the main directions of using the texts of open letters and developed methodical recommendations for their study.As a result of research, it was established that the majority of modern scientific works, articles and other publications on a certain topic belong to Russian scientists. The Ukrainian greeting card as an object of study of the phenomenon of graphic art remains out of the attention of domestic researchers, especially in the context of design. This requires further art studies of the peculiarities of the design of the domestic postal greeting card of the end of the 19th and the beginning of the 20th centuries from the standpoint of figurative, stylistic and cultural potential.Scientific novelty. Is to consider the issues, content and main ideas of scientific publications, in which scientists analyze the communicative, philological component, reveal the collection and classification of postcards, highlight the process of creating a greeting card from the standpoint of socio-cultural and historical heritage, not just means of transmitting information.Practical significance. Dissertation research can serve as a basis for practical work with postcard funds in departments of libraries, archives and museums; for the development of methodological recommendations aimed at improving the modern practice of publishing art postcards; while reading courses on the history of Ukrainian art of the end of the 11th and beginning of the 20th centuries, as well as preparing a general monographic study on the Ukrainian art postcard.
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在历史和社会文化背景下,对致力于贺卡发展的科学出版物进行专题分析
目的。对近年来出版的科学著作进行主题审查,并在其历史和社会文化发展的背景下,专门探讨十九世纪末二十世纪初明信片贺卡的出现和历史发展。研究方法。本文采用了著名的艺术方法:历史文化、历史属性,从社会文化和历史遗产的角度来涵盖贺卡的形成过程,而不仅仅是从信息的角度来看待,有助于贺卡的演变和形象化转变。时间顺序。除此之外,还使用了一般的科学方法:比较、分析、综合、监测、系统化、统计、历史和编年史,使科学家能够分析传播学、语言学的组成部分,从而揭示明信片的收集和分类。在此基础上,我们获得了关于研究对象的额外知识。结果。对近年来发表的科学著作进行了主题回顾,这些著作致力于在19世纪末20世纪初邮政贺卡的历史和社会文化发展背景下,邮政贺卡的出现和历史发展。考虑了科学出版物的问题、内容和主要思想,其中科学家对传播和文献学部分进行了分析,揭示了明信片的收集和分类问题,从社会文化和历史遗产的角度强调了邮政贺卡的制作过程,并且不仅从传输信息的手段的角度来看。概述了19世纪末20世纪初明信片的科学研究方向。科学作品的作者在很大程度上考虑了贺卡(历史组成部分)的起源和形成历史,将明信片视为美术潮流之一,在研究相应历史时期的社会文化发展的背景下,提出了明信片的分类和归属方法,从收集的角度考虑明信片,提出他们按主题区域展示明信片收藏的方法。这篇文章还包括作者的科学出版物,他们不仅研究了明信片的正面,其中包含艺术(图形)图像,还研究了反面,其中包含文字、邮戳、原产国、发货(生产)日期等,作者首次对使用公开信文本的主要方向进行了分析,并为他们的研究提出了系统的建议。经过研究,确定了关于某一主题的大多数现代科学著作、文章和其他出版物属于俄罗斯科学家。乌克兰贺卡作为一种研究对象的平面艺术现象仍然没有引起国内研究者的注意,尤其是在设计的背景下。这就需要从形象、风格和文化潜力的角度对19世纪末和20世纪初国内邮政贺卡设计的特点进行进一步的艺术研究。科学新颖性。是考虑科学出版物的问题、内容和主要思想,科学家们在这些出版物中分析传播学、语言学的组成部分,揭示明信片的收集和分类,从社会文化和历史遗产的角度,而不仅仅是传递信息的手段,突出制作贺卡的过程。实际意义。论文研究可以作为图书馆、档案馆和博物馆部门利用明信片资金开展实际工作的基础;制定方法建议,以改进出版艺术明信片的现代做法;同时阅读关于11世纪末和20世纪初乌克兰艺术史的课程,以及准备关于乌克兰艺术明信片的一般专题研究。
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