{"title":"Posterity Is Now","authors":"Jen Shannon","doi":"10.1111/muan.12201","DOIUrl":null,"url":null,"abstract":"<p>Guided by the notion that posterity is now, this is a call to take seriously the experiences of museum staff working in collaboration and consultation with Native peoples and to reorient the purpose of the museum to the values embedded in these interactions. Namely, this statement recognizes that heritage work in museum collections is not only about cultural identity and the past, but more often it is oriented toward the present and future of Indigenous communities to benefit their health and well-being.</p>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"42 1","pages":"5-13"},"PeriodicalIF":0.7000,"publicationDate":"2019-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/muan.12201","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Anthropology","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/muan.12201","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 3
Abstract
Guided by the notion that posterity is now, this is a call to take seriously the experiences of museum staff working in collaboration and consultation with Native peoples and to reorient the purpose of the museum to the values embedded in these interactions. Namely, this statement recognizes that heritage work in museum collections is not only about cultural identity and the past, but more often it is oriented toward the present and future of Indigenous communities to benefit their health and well-being.
期刊介绍：
Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.
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