The Representation of Animals in the Qur'an and the Mufaḍḍaliyyāt

IF 0.2 2区 哲学 0 RELIGION Journal of Quranic Studies Pub Date : 2021-07-07 DOI:10.3366/jqs.2021.0467
Nicolas Payen
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Abstract

The position that the Qur'an allocates to animals has been studied either according to the principles of internal criticism, or within the framework of theologians’ reception of the Qur'an. Departing from these two options, this paper will draw a comparison with the Mufaḍḍaliyyāt, an anthology gathering poems relatively near to the Qur'an in space and time. It will be shown that neither poetry nor the Qur'an possess a word that refers to animals as a class, but the latter sketches a cursory categorisation system of the living world. In contrast to widespread opinion, the poets are not more meaningfully interested in animals, with the noticeable exception of mounts, than the sacred book. Furthermore, network modelling enables us to discover that both documents depict sharply contrasting bestiaries. We should therefore revise the generally accepted idea that the Qur'an appeared in a Bedouin society similar to that of the poets. However, close textual comparison between the representation of animals in the Qur'an and the poems in the Mufaḍḍaliyyāt gives us a better understanding of Q. 22:27, which would not be possible without recourse to poetry.
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动物在《古兰经》和《穆法》中的表现
《古兰经》赋予动物的地位要么是根据内部批评的原则,要么是在神学家接受《古兰经的框架内进行研究的。从这两种选择出发,本文将与穆法进行比较ḍḍaliyyāt,一本收集在空间和时间上与《古兰经》相对接近的诗歌的选集。这将表明,无论是诗歌还是《古兰经》都没有一个词将动物称为一个阶级,但后者粗略地描绘了生活世界的分类系统。与普遍的观点相反,诗人们对动物的兴趣并不比圣书更有意义,除了明显的坐骑之外。此外,网络建模使我们能够发现,这两份文件都描绘了截然不同的野兽。因此,我们应该修正普遍接受的观点,即《古兰经》出现在一个类似于诗人的贝都因社会。然而,《古兰经》中对动物的描绘与《穆法》中的诗歌之间的文本比较ḍḍaliyyāt让我们更好地理解了问题22:27,如果没有诗歌,这是不可能的。
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CiteScore
0.60
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发文量
40
期刊最新文献
Garrett Davidson, Carrying on the Tradition: A Social and Intellectual History of Hadith Transmission across a Thousand Years Ḥamza's Consideration of Ibn Masʿūd's Divergent Readings Opposition to Word-Breaking in the Practice of Qur’an Commentary in Eighth/Fourteenth- and Ninth/Fifteenth-Century Mamlūk Cairo ‘A Precious Treatise’: How Modern Arab Editors Helped Create Ibn Taymiyya’s Muqaddima fī uṣūl al-tafsīr Qur’anic Metaphors: Between the Historicity of Poetic Imagination and the Continuity of Context
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