The Music teacher's systematic idea of the national musical culture

Ma Shi
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引用次数: 1

Abstract

The author claims that a systematic idea of the musical culture (first of all, the native culture) is a part of the general competence of an educated person and an essential component of Music teacher’s professional competence. The formation of such idea is an urgent task for institutions of pedagogical education in Ukraine and the People's Republic of China. Solution to this problem involves the improvement of training forms and methods. The modern training process should move away from teaching insignificant factual knowledge, excessively detailed abstract provisions. It is necessary to focus efforts on the living, flexible, and systematic ideas of musical cultures, tested on the experience of one's own artistic activity. The main goal of the article is to reveal the psychological nature and to substantiate the model of the musical culture systemic idea. Attention is paid to the terms concept, picture, image of culture; some shades of their meanings are revealed; the author prefers the terminological expression systemic idea. The concept Idea is interpreted in a broad psychological sense. The meaning of this term includes not only trace images stored in human memory, but also generalized images that reflect classes of objects. Thus, the idea of musical culture is interpreted as a complex of psychological properties. It can be represented by a structural model, the components of which are: 1) specific sensual images that arose as a result of the artistic artifacts and acts perception; 2) empirical knowledge and overviews of musical culture; 3) theoretical concepts of musical language, types of composition, styles and genres, historical development of creative practice; 4) some important factual knowledge about musicians and musical artifacts, cultural events, social institutions, etc.; 5) interests and value attitude to certain aspects and properties, or to the entire national musical culture.
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音乐教师对民族音乐文化的系统认识
作者认为,系统的音乐文化观(首先是本土文化)是受教育者综合能力的一部分,也是音乐教师专业能力的重要组成部分。形成这样的思想是乌克兰和中华人民共和国师范教育机构的一项紧迫任务。解决这一问题需要改进培训形式和方法。现代训练过程应该远离教授微不足道的事实知识,过于详细的抽象规定。有必要把精力集中在音乐文化的活的、灵活的和系统的思想上,并在自己的艺术活动经验上进行测试。本文的主要目的是揭示音乐文化系统思想的心理本质,并对音乐文化系统观念的模式加以具体化。注重文化的概念、画面、形象;揭示了它们的一些含义;作者更倾向于术语表达的系统观念。“观念”这个概念是从广义心理学的角度来解释的。这个术语的含义不仅包括存储在人类记忆中的痕迹图像,还包括反映物体类别的广义图像。因此,音乐文化的概念被解释为一种复杂的心理特性。它可以用一个结构模型来表示,其组成部分是:1)特定的感官图像,这些图像是艺术人工制品和行为感知的结果;2) 音乐文化的经验知识和概述;3) 音乐语言的理论概念、创作类型、风格流派、创作实践的历史发展;4) 一些关于音乐家和音乐文物、文化事件、社会制度等的重要事实知识。;5) 对某些方面和属性,或对整个民族音乐文化的兴趣和价值态度。
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