{"title":"THE ITALIAN EXPERIENCE OF THE HOLY ROMAN EMPEROR CHARLES IV: MUSICAL AND LITERARY ASPECTS","authors":"Elena Abramov-van Rijk","doi":"10.1017/S0261127918000025","DOIUrl":null,"url":null,"abstract":"The Italians had conflicting sentiments regarding the visit of the Holy Roman Emperor Charles IV in Italy in 1355: from the enthusiastic expectations of the impact the Emperor would have on the local political life to contemptuous scepticism and even to overt disdain. Two Italian Trecento madrigals have traditionally been considered to refer to this visit: (1) the three-voice polytextual madrigal Aquil altera/Creatura gentil/Uccel di Dio by Jacopo da Bologna, seen as related to Charles’s coronation with the Iron Crown of Lombardy in Milan; and (2) the two-voice madrigal Sovran uccello by Donato da Firenze, considered a celebratory piece for Charles’s coronation as well. This essay explores the relevant historical contexts, Milanese for Jacopo’s madrigal and Florentine for Donato’s, with a view to placing both pieces.","PeriodicalId":42589,"journal":{"name":"EARLY MUSIC HISTORY","volume":"37 1","pages":"1 - 44"},"PeriodicalIF":0.2000,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0261127918000025","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"EARLY MUSIC HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0261127918000025","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
The Italians had conflicting sentiments regarding the visit of the Holy Roman Emperor Charles IV in Italy in 1355: from the enthusiastic expectations of the impact the Emperor would have on the local political life to contemptuous scepticism and even to overt disdain. Two Italian Trecento madrigals have traditionally been considered to refer to this visit: (1) the three-voice polytextual madrigal Aquil altera/Creatura gentil/Uccel di Dio by Jacopo da Bologna, seen as related to Charles’s coronation with the Iron Crown of Lombardy in Milan; and (2) the two-voice madrigal Sovran uccello by Donato da Firenze, considered a celebratory piece for Charles’s coronation as well. This essay explores the relevant historical contexts, Milanese for Jacopo’s madrigal and Florentine for Donato’s, with a view to placing both pieces.
对于1355年神圣罗马帝国皇帝查理四世访问意大利，意大利人的情绪是矛盾的:从对皇帝将对当地政治生活产生影响的热情期望到轻蔑的怀疑，甚至是公开的蔑视。两首意大利特伦托牧歌传统上被认为与这次访问有关:(1)Jacopo da Bologna的三声部多文本牧歌Aquil altera/Creatura gentil/Uccel di Dio，被认为与查尔斯在米兰与伦巴第铁王冠加冕有关;(2)多纳托·达·佛罗伦萨的双声部牧歌《索夫兰·乌切罗》，也被认为是查理加冕典礼的庆祝作品。本文探讨了相关的历史背景，雅格布的牧歌是米兰语，多纳托的牧歌是佛罗伦萨语，以放置这两件作品。
期刊介绍：
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
