MEMBEDAH KOMODIFIKASI ISI PESAN MINI DRAMA LINE “NIC AND MAR”(Analisis Semiotika John Fiske Terhadap Mini Drama Line)

Indra Hutami Negoro
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Abstract

Mobile mini drama of the Line is a mini-series that narrate the characters who play a part in a story which has drama genre. One of them is a mobile mini drama Line “Nic and Mar” designed to meet the needs of the people of Indonesia will of entertainment that can be enjoyed anytime, anywhere for free just by using the gadget. However, the facts behind their mobile mini dramas which incidentally can be enjoyed free, able to bring great benefits in terms of economy for the media Line. Researchers interested in studying this phenomenon because the researchers identified that there has been a process of commodification and wanted to know what kind of shape the commodification. The purpose of this research is to determine how to shape the content of the message commodification Mini Drama Line “Nic and Mar”. The approach of the research is qualitative, uses a semiotic analysis to analyze the research object. The data analysis technique is based from “The Codes of Television” by John Fiske. The research result is in Mini Drama Line “Nic and Mar” there are audio aspect and visual aspect that formed by videography techniques so that it becomes a spectacle, but the signs are there in processed into a product so that the scene in this drama mini formed into commodities. The function changed, initially the storyline is used for forming part mini-drama story, now the storyline also serves
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解剖“NIC AND MAR”迷你剧“NIC AND MAR”的内容
《the Line》手机迷你剧是一部讲述在一个故事中扮演角色的迷你剧,具有戏剧类型。其中之一是移动迷你剧线“Nic and Mar”,旨在满足印尼人民的娱乐需求,只要使用这个小工具,就可以随时随地免费享受娱乐。然而,他们的手机迷你剧背后的事实,恰巧可以免费享受,能够为媒体线带来巨大的经济效益。研究者之所以对这一现象感兴趣,是因为研究者发现了一个商品化的过程,并想知道商品化是什么样的。本研究的目的是确定信息商品化迷你剧线“尼克和玛”的内容如何塑造。研究的方法是定性的,使用符号学分析来分析研究对象。数据分析技术来源于约翰·菲斯克的《电视代码》。研究的结果是,在迷你剧线“尼克和玛”中,有通过录像技术形成的听觉方面和视觉方面,使其成为一种奇观,但在那里,符号被加工成一种产品,使这部剧中的场景被迷你成商品。功能发生了变化,最初的故事情节是用来构成部分迷你剧故事,现在的故事情节也起作用了
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